Current Publications



Lionel Gossman


$29.00

978-0-87169-975-6



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Winner of the John Frederick Lewis Award for 2007

Friedrich Overbeck’s “Italia und Germania” (1811-1828) is a well-known image in its native Germany, where it is usually seen as an allegory of the perennial longing of German artists and poets for the beauty and harmony of the land “where the lemon tree blooms.” It is not so well known, outside specialist circles, that the earliest sketches for this iconic painting bore the title “Sulamith (the Shulamite of the Song of Solomon) and Maria” and formed part of a series of drawings and texts produced and shared by Overbeck and his close friend Franz Pforr, the young founders of the school of painters generally referred to as “Nazarenes.” Closely linked to the philosopher Friedrich Schlegel and his wife Dorothea, the daughter of the celebrated Jewish philosopher Moses Mendelssohn and a convert, along with her husband, to Roman Catholicism, the Nazarenes advocated the renewal of earlier and purer forms of art and religion and looked forward to a condition in which things that had been separated from their original unity—not only art and religion, but word and idea, poetry and philosophy, feminine and masculine, and, not least, Jews and Christians—would be brought together again, as Overbeck said, “in harmony and mutual respect.” The contextualization of Overbeck’s “Italia und Germania” in this essay reveals a painting that is a rich repository of meanings, an emblem not only of the sisterhood of North and South, the early German and early Italian traditions in art, but of the general Romantic longing for reconciliation, reunion, and the overcoming of historical alienation.

Lionel Gossman is Professor Emeritus in the Department of Romance Languages and Literature at Princeton University. He is a member of the American Philosophical Society, elected in 1996.

Lionel Gossman addresses a topic of general importance, which is the relationship between art, life, and religious belief. He has an impressive knowledge of the historical situation and philosophical background of the time. He gives excellent translations from original German sources that are not only accurate but may enable the Anglophone reader to truly grasp the spirit of the sources. This book serves as a thoughtful and elegantly written introduction to the way of thinking of one of the most important of the Nazarene painters.

Hubert Locher
Lehrstuhl für Neuere und neueste Kunstgeschichte
Staatliche Akademie der Bildenden Künste
Stuttgart, GERMANY

Lionel Gossman's study offers an important interpretation of Overbeck's painting. It treats the evolution of the Nazarene artists' preoccupation with religious issues in an engaging manner and offers a social-historical and theological context to Overbeck's painting by looking interestingly at a wide range of issues and contacts in his early Nazarene period. The book engages readers as it situates the painting in an innovative manner and touches on many interesting issues of the period.

Richard I. Cohen
The Hebrew University, Jerusalem

author of Jewish Icons: Art and Society in Modern Europe



Edward G. Longacre


$29.00

978-0-87169-974-9



“The ‘new military history’ is new in its concern for military history as a part of the whole of history, not isolated from the rest, for the military as a projection of society at large, for the relationships of the soldier and the state, for military institutions and military thought.” So wrote Russell F. Weigley, one of the most accomplished and respected military historians of the latter half of the twentieth century. Beyond Combat includes a brief biography of Dr. Weigley by the editors, an introduction by Dennis F. Showalter, essays by nine of Dr. Weigley’s PhDs, and a select bibliography of his work.

Edward G. Longacre is Staff Historian, HQ Air Combat Command, Langley Air Force Base, VA. Theodore J. Zeman is a history professor at Saint Joseph's University in Philadelphia, PA.



Alexander Woronzoff-Dashkoff


$29.00

978-0-87169-973-2



A woman of letters and the first woman member of the American Philosophical Society, Ekaterina Romanovna Dashkova (née Vorontsova) was also the first modern stateswoman in Russia. Early in her life she dressed in an officer’s uniform and boldly stepped forward to play an active role in the political arena, where she participated in the palace revolution of 1762. Subsequently, Dashkova was appointed director of the Academy of Sciences by Catherine II and she founded and became president of the Russian Academy. For close to twelve years, she headed both these prestigious academic institutions. She was a leading figure in eighteenth-century Russian culture as she strove to institute reforms, to adapt and apply the ideas of the Enlightenment, and to establish new approaches to the education of Russia’s youth. Sadly, her relationship with her own children was deeply tragic, and later in life she was exiled to the north of Russia. This biography focuses on Dashkova’s efforts in her life and works to isolate, clarify, and define patterns of action, identity, and gender for herself as well as for other women.

Alexander Woronzoff-Dashkoff is Professor of Russian language and literature at Smith College in Massachusetts. Born in Renon, Italy, he received a Ph.D. in Comparative Literature at the University of Southern California. For many years he worked in the Russian School at Middlebury College, the last nine years as Director of the School. His scholarship has been devoted to the life and works of Ekaterina Dashkova, of whom he is a descendent. He has compiled and annotated the French edition of Dashkova’s autobiography, Mon Histoire: Mémoires d’une Femmes de Lettres Russe àl’Epoque des Lumières, including the letters of Catherine II (Paris: L’Harmattan, 1999).



Janice G. Schimmelman


$29.00

978-0-87169-972-5



The Tintype in America, 1856–1880 is the history of the tintype from its invention in Paris to the end of the wet-plate era. It included the early plate manufacturers Peter Neff (melainotype) and Victor M. Griswold (ferrotype); its process, patents, and presentations; and the society and industry that supported it.

Always suspicious of art, Americans embraced the tintype. They were comfortable with its artlessness and liked the come-as-you-are independence of the thing. It was so quick, so easy, so spontaneous. At the end of the day the stories were real, untouched by the manipulations of artist or photographer, and unencumbered by Romantic notions of moral and civic virtue.

Janice Schimmelman is Professor of Art History at Oakland University in Rochester, MI.



Estelle Haan


$27.00

978-0-87169-971-8



Vincent Bourne (1694-1747) was one of the most, if not the most, popular Latin poets of his day. In its depiction of homely urban scenes and in its sensitive portrayal of animal and civic behavior (and the reciprocity between such behavior) his Latin verse appealed to early eighteenth-century and Romantic sensibilities. The present study examines a broad range of that Latin verse in its classical, neo-Latin, and vernacular contexts with particular attention to the theme of identity (and differing forms of identity). It surveys the quest for identity, reciprocal identities, metropolitan identities, the recreation of identity, and assesses ways in which Bourne's fusion of the classical and the Romantic gave him a unique neo-Latin voice which enabled him to stand out from his predecessors and contemporaries. Appended to the study are the texts (with Haan's translations) of the Latin poetry discussed therein.

Estelle Haan (Sheehan) is Professor of Renaissance and Anglo-Latin Literature at Queen's University Belfast. Previous publications with the American Philosophical Society include From Academia to Amicitia: Milton's Latin Writings and the Italian Academies (Transactions volume 88, part 6) and Vergilius Redivivus: Studies in Joseph Addison's Latin Poetry (Transactions volume 95, part 2).



Albert van Helden

Paper. 72 pp.

$30.00

0-87169-674-6
978-0-87169-674-8



The Invention of the Telescope was first printed by the American Philosophical Society in June 1977. No book on the study of telescopes since that time has surpassed this work of Albert van Helden.

Cornelis de Waard, in his "De uitvinding der verrekijkers" (The Hague, 1906), uncovered many new documents bearing on the genesis of the telescope. Dr. van Helden began this project as a translation of de Waard’s study. However, he decided that the profession and de Waard's memory would be better served by a collection and translation of all the relevant primary sources named in his study.

The year 2008 marks the 400th year of the existence of the telescope, a most appropriate time to reprint The Invention of the Telescope.



Jean O’Neill

Cloth

$75.00

978-0-87169-264-1



Peter Collinson’s life is a microcosm of eighteenth-century natural history. A London Quaker, a draper by trade, and a passionate gardener and naturalist by avocation, Collinson was what we would now call a facilitator in natural science, disseminating botanical and horticultural knowledge during the Enlightenment. He influenced men such as Comte de Buffon and Linnaeus. He found clients for the Philadelphia Quaker farmer and naturalist, John Bartram, at a time when the English landscape was evolving to emphasize trees and shrubs, and the more exotic the better. Thus, American plants populated great estates like those of the Dukes of Richmond, Norfolk, and Bedford, as well as the Chelsea Physic Garden, and nurseries of James Gordon and Robert Furber. Botanic painters such as Mark Catesby and Georg Dionysius Ehret painted American plants in Collinson’s garden. His membership in the Royal Society enabled him to broaden his scope: he encouraged Franklin’s electrical experiments and had the results published, he corresponded about myriad natural phenomena, and he was ahead of his time in understanding the extinction of animals and the migration of birds. Though a man of modest Quaker demeanor, because of his passion for natural science, he had an unprecedented effect on the exchange of scientific information on both sides of the Atlantic. In this monograph, the authors give a convincing biographical portrait of Collinson. He “speaks” to the reader throughout the book in a distinct voice.

Jean O’Neill (1915–2008) was awarded the Gold Veitch Memorial Medal by the Royal Horticultural Society in 2001. She concentrated her scholarly research on Collinson’s life and writings and his place in Anglo-European history. Lady O’Neill, wife of the late Northern Ireland prime minister Terence O’Neill, was a passionate lover of nature and frequent author of articles in horticulture. She had a keen interest in the history of plants. She was chairwoman of the National Trust Gardens Committee and a fellow of the Linnean Society of London.

Elizabeth P. McLean, a graduate of the Arboretum School of the Barnes Foundation, is Research Associate in Botany at the Academy of Natural Sciences in Philadelphia and on the boards of the Library Company of Philadelphia (having served as past president) and the Morris Arboretum of the University of Pennsylvania. Her particular expertise is in the Anglo-American horticultural relationships of the eighteenth century. She has written various garden history articles, and is co-author, with architectural historian Mark Reinberger, of the forthcoming Country Houses and Landscapes of Colonial Philadelphia.

Indexed in H.W. Wilson’s

Essay and General Literature Index



Douglas W. Wamsley

Cloth

$75.00

978-0-87169-262-7



In the mid-nineteenth century as an ambitious young country expanded its horizons westward, Dr. Isaac Israel Hayes, a young physician from an Orthodox Quaker family in the rural farmland of Pennsylvania, turned his eyes to the North. As a member of the harrowing American arctic expedition under the command of Dr. Elisha Kent Kane in search of the lost British explorer Sir John Franklin, Hayes became obsessed with making his own mark in the far northern polar regions. Overcoming tremendous apathy, he organized his own privately funded voyage to the Arctic in 1860, during which he claimed to have reached a ‘farthest north’ and to have stood on the edge of the fabled “Open Polar Sea,” a mythical ice-free zone in the high northern latitudes.

But Dr. Hayes was much more than a mere participant in the history of Arctic discovery during its ‘heroic’ age. Hayes stood at the forefront of American and European Arctic efforts, among other things, initiating the modern race for the North Pole and the crossing of the Greenland ice-cap, as well as contributing meaningfully to the literature of the polar regions. He successfully influenced the course of Arctic discovery. During the U.S. Civil War and as an elected politician in New York State during its Gilded Age, Hayes served the ‘public good’ for a decade, with accomplishments as far reaching as his Arctic service, but little recognized during his lifetime.

Polar Hayes brings to light the complete story of an immensely talented individual who occupied a central position in the cause of Arctic discovery and exploration, and also as a man of public service. Drawing upon Hayes family papers, little-viewed diaries from Hayes’s own expeditions, and unpublished primary sources, the story emerges of a remarkable but forgotten explorer, writer, politician and humanitarian who epitomized the rugged and restless spirit of adventure and individualism of nineteenth-century America.

Douglas Wamsley, an independent scholar and attorney who lives in Ridgewood, New Jersey, has written and lectured extensively on the history of nineteenth-century Arctic exploration and its participants.



Georges Le Rider

Paper

$50.00

978-0-87169-261-0



This English translation of Georges Le Rider’s comprehensive study of the coinage and financial policy of Alexander the Great (Alexandre Le Grand: Monnaie, Finances et Politique) brings, for the first time, the magisterial scholarship of one of the world’s greatest living numismatists before an Anglophone public. For more than forty years Le Rider has published fundamental studies on the coinages of the ancient Middle East and eastern Mediterranean world, particularly from the time of Philip II (Alexander’s father), Alexander himself, and the Seleucid empire. The book of 2003 that is now appearing in English represents the culmination of a lifetime of reflection on the coinage of Alexander.

It is not only Le Rider’s gift for seeing the implications of his multitudinous coinage issues that every reader of his works in French will know so well: it is the uncommon lucidity and simplicity of his presentation of the material. No one could hope to capture the crystalline clarity of his French prose, but, by working closely with Le Rider himself and with numismatic specialists, above all Le Rider’s friend and collaborator Hyla Troxell, William E. Higgins has created a book worthy of the original. It manages to retain the excitement of a detective investigation that begins with an anecdote handed down by Plutarch and ends by subverting it. Special thanks go to the Aristotle Onassis Foundation, which generously funded the translation through the intercession of Michel Amandry.

French historian Georges Le Rider is a professor at the Collège de France, a member of l'Institut de France and a specialist in numismatics. He has taught at both the Ecole Pratique des Hautes Etudes and the Collège de France, and has also served as Director of the French Institute of Anatolian Studies in Istanbul. From 1975-1981 he had the major position of Administrateur général of the Bibliothèque Nationale of France. Since 1989 he has been a Member of the Institut de France in the Académie des Inscriptions et Belles Lettres. In 1996 he was elected to the American Philosophical Society.



Lewis Pyenson

Cloth

$90.00

978-0-87169-260-3



George Sarton animated the discipline of history of science in America. This monograph, the first full-length study of Sarton’s life and work, traces his youth and education in Ghent, Belgium, and his stormy marriage to the talented English artist Mabel Elwes. It follows George and Mabel Sarton in their path from idealistic refugees fleeing the invasion of Belgium in 1914 to destitute intellectuals at Harvard University. For half a century, history of science as an academic specialty owed much to George Sarton’s visions and anxieties, especially as they were expressed in his marriage. Mabel Sarton sustained his enterprise and contributed to its form, which included parts of socialism, pacifism, aesthetics, and faith. Current themes present in George Sarton’s early work include the common endeavor of artists and scientists, the private nature of scientific innovation, and the history of science as a bridge between the cultures of the humanities and the natural sciences.

Lewis Pyenson is Dean of the Graduate College at Western Michigan University. Formerly he was Research Professor of History at the Center for Louisiana Studies and Adjunct Professor of Cognitive Science, Philosophy, Physics, and Modern Languages at the University of Louisiana at Lafayette. He is a Fellow of the Royal Society of Canada and a Corresponding Member of the International Academy of the History of Science. In 2005 he lectured in the George Sarton Chair at the University of Ghent in Belgium.  

 

This is a spectacular and completely original book. Lewis Pyenson has recreated both biographies and the narratives of George and Mabel Sarton’s relationship by marshaling a stunning range of sources, most importantly the incredibly detailed epistolary relationship of the two principals. At the same time, the book explores George’s intellectual world both in Belgium and the United States and thereby draws out the interesting web of ideas and personalities that formed the core of the nascent discipline of the History of Science, whose foundational institutional organization was largely George’s work.
Thomas Glick, Professor of History
Boston University

Lewis Pyenson is a historian of science of extraordinary breadth no less than remarkable depth and a writer of real distinction. He succeeds in bringing George and Mabel Sarton to life and giving the readers an intimate look into the inwardness of their marriage.
Charles Gillispie, Dayton-Stockton Professor of History of Science Emeritus
Princeton University

This is an important book for the scholarly communities of letters, criticism, and history and philosophy of science. The conceptual, language, and work skills and habits possessed by Lewis Pyenson are rarely found today in the history of science tribe.
C. Stewart Gillmor, Professor of History & Science, Emeritus
Wesleyan University